I've been building these walls
Framing these defenses
To keep you from
seeing what I've become
I've become a plague!
I’ve become a plague!
A parasite to all that I touch
A parasite!
The hull of my vessel
can never be shattered
but the winds with which I wrestle
Leave my sails torn and tattered
So I tie my ship to yours
and a blindfold for my eyes
as you guide me through these shores
I believe all your cunning lies
A beggar in a world of thieves
I've cheated more than death as I've ravaged the halls of innocence.
These hands have buried more than the truth.
The lies I created have turned into demons, haunting my dreams.
WE ARE LEGION, for we are many
WE ARE LEGION, they beckon me!
I am a dead man, where is the end?
I am a dead man, where is the truth?
supported by 4 fans who also own “To The Cliffs (feat. James Lewis)”
If you like Traitors and metalcore with little bit of Nu, then this absolutely for you.
A pretty bass-ey guitar tone that honestly outperforms bigger bands with riffs that have just enough bounce to remain fun rather than quickly getting irritating.
The drums are pretty great, but they tend to go under the radar compared to everything else. MyNameIsRedundant
Featuring founding vocalist Jesse Zaraska for the first time since 2004, the Milwaukee veterans' seventh album is a metalcore monster. Bandcamp New & Notable Aug 12, 2020
The New Jersey outfit cast a gothic pall over hard-hitting hardcore, leaving us with a deliciously murky set of pit-starters. Bandcamp New & Notable Nov 8, 2018
supported by 4 fans who also own “To The Cliffs (feat. James Lewis)”
2X4, the definition of a groovy, face-punching, hard-slamming, hardcore chugfest! MCMLII is a scorching inferno forged by the crushing amalgam of aggressive metal and beatdown deathcore. "Volition" opens with prominently punchy, almost bouncy instrumentation, while "Destroy (a Mother's Beauty)" features oscillating rapid-fire drum patterns and "Adversary" brutalizes with intense fretwork. 2X4 are an unquenchable vacuum feasting on negativity, creating murderously heavy misanthropic anthems. Kenny McGalem